"Sister Tao" is a literary film produced in 2012, directed by Hong Kong Xu Anhua, and co-starring Andy Lau, Ye Dexian, Wang Fuli, Qin Hailu and Huang Qiusheng. The film premiered at the 68th Venice Film Festival on September 5, 2011, and won the Best Actress of the Venice Film Festival. The movie is a movie named after a person. It tells a touching master and servant between a young master Roger (Andy Lau) who grew up in a big family and Tao Jie (Ye Dexian) who took care of her since childhood. situation.
The film gave up sensational means, and presented this journey with a very calm and resolute attitude not willing to take one step forward. Calmness and restraint are what touches people in this movie. For the second stroke, lying on the hospital bed, the priest held Andy Lau and Tao sisters' hands and closed her eyes to pray to God. At this time, Tao secretly opened her eyes to see Andy Lau who was closing her eyes and praying. This is indeed the most important thing in this movie. A scene that moved the audience.
"To the Wrath Sea" is a Hong Kong drama film directed by Xu Anhua and starring Lin Zixiang, Andy Lau, Ma Sichen, Miao Qianren, etc. It mainly tells the real situation when the Viet Cong liberated Vietnam in 1975, and the Japanese reporter Akutagawa interviewed live at the time in Da Nang. Three years later, Akutagawa revisited the old place, met the Qinniang family, and took many precious photos of the story.
The film has become another classic masterpiece of the Hong Kong New Wave, and it has won a box office of more than 15 million Hong Kong dollars, setting a new box office record for local art films. The film is Andy Lau's film debut.
"The True Story of Ah Fei" is directed by Wong Kar Wai, starring Leslie Cheung, Maggie Cheung, Carina Lau, Andy Lau, Jacky Cheung, Tony Leung. This film describes the inner world of an arrogant and rebellious young man, and truly reproduces the living environment and social conditions of ordinary young people in Hong Kong.
In 1991, the film won five awards including Best Picture and Best Director at the 10th Hong Kong Film Awards. Leslie Cheung won the Best Actor Award at the 10th Hong Kong Film Awards for "A Fei True Story". In 2005, the Hong Kong Film Awards selected "100 Most Representative Chinese Films", and "A Fei's Story" ranked third. In 2008, "The True Story of A Fei" was re-released in South Korea.
1991年，该影片万博最新登陆网址获得了十届香港电影金像奖最佳影片和最佳导演等五个奖项。张国荣凭借《阿飞的真实故事》获得第十届香港电影金像奖最佳男主角奖。 2005年，香港电影金像奖入选“中国最具代表性的100部电影”，《阿飞的故事》名列第三。 2008年，《阿飞的真实故事》在韩国重新发行。
In 1993, Hong Kong Banshan Elevator was officially opened. Photographer Du Kefeng happens to live near the elevator. Every day, you can see people rushing between Central and Mid-levels by elevator from the window. In Wong Kar-wai's view, this is a huge difference from Tsim Sha Tsui where he grew up, so he gave birth to a film reflecting the different life in Hong Kong during the day and night, and the film "Chongqing Forest" was born.
"Chongqing Forest" is directed by Wang Jiawei, starring Brigitte Lin, Tony Leung, Faye Wong, Takeshi Kaneshiro and others. The film tells two love stories: an urban encounter between a broken-up policeman and a mysterious female killer, and a love story between Patrol 663 and a girl in a fast food restaurant. In 1995, the film won the 14th Hong Kong Film Awards for Best Picture and Best Director.
A "Sweet Honey" won 11 nominations at the Hong Kong Film Awards and 9 awards: Best Picture, Director (Chen Kexin), Screenwriter (East Coast), Actress (Mary Cheung), Supporting Actor (Zeng Zhiwei), Photography (Ma Chucheng) ), art director (Xi Zhongwen), costume design (Wu Lilu), music (Zhao Zengxi), that year "Sweet Honey" was really beautiful.
1996 was on the eve of the return of Hong Kong, and it was also the year after the death of Teresa Teng after a generation of songs. With the help of this special background, the film tells the hardships of Hong Kong's new immigrants at the end of the 20th century. The song "Sweet Honey" by Teresa Teng runs through it, and successfully captures the common emotions of Chinese people in the three places. The plot of the film began in 1986, and finally on the day of Teresa Teng's sudden death in 1995, under the background of the emergence of immigration in China, the fate of small people shows the historical changes of Hong Kong in the ten years before the return to the country.
was ranked second in the top ten best films in the world by Time magazine in 1997.
Infernal Affairs is a rescue work for Hong Kong films, and almost contracted all the awards of the 22nd Hong Kong Film Awards.
The subject of police and gangsters is undoubtedly a genre that Hong Kong movies are very good at controlling, and "Infernal Affairs" is the pinnacle of this genre. It presents the relationship between police and gangsters in an interchangeable manner, compact and without loss. The measurable narrative structure, which is bred by which is good and which is evil, is an excellent sense of suspense, and the irreplaceable sadness is rendered by fate, and the depth of human nature can be explored intriguingly here.
"The True Colors of Heroes" is directed by Wu Yusen, starring Ti Lung, Leslie Cheung, and Chow Yun-fat. It was the box office champion of Hong Kong movies that year. In 1987, the film won the Best Picture, Best Actor and other awards at the 6th Hong Kong Film Awards.
"The True Colors of Heroes" fully displays Wu Yusen's "violent aesthetics", "brotherhood", "double guns" and other label movie vocabulary, revealing the human nature that swings between good and evil. The film is not an insider exposure of the gangs in Hong Kong and Taiwan, nor is it a reflection of social reality, but a remake of the myth of heroes out of the air. It is entirely the subjective desire and emotional projection of the creator.
In 1993, Zhang Zhiliang's "The Cage Man" won the Golden Image Award for Best Picture, Best Director, Best Screenplay and Best Supporting Actor in one fell swoop. Of course, the award itself does not explain much, but compared to the simultaneous nomination The other four films, "92 Black Rose vs. Black Rose", "Ruan Lingyu", "Wu Zhuangyuan Su Qier" and "The Man of Huang Feihong Should Be Self-improvement", this film is really unpopular to a certain level.
Hong Kong movies have never lacked little people, but they are often favored by Fa Ge’s kind of commoner knights or grassroots heroes like star masters. City life is treated as the background of the protagonist, laughing and joking, gagging, far away from the government and far away from politics. But "The Cage Man" is different. This is a film that really focuses the lens on disadvantaged groups and social issues. It uses the rigor and meticulousness of the documentary and the hints and symbols of the literary film to record small things in the big era. It does not have a real protagonist, but directly gives the stage to all beings.
"Golden Age" is a film directed by Xu Anhua, written and produced by Li Yao, starring Tang Wei, Feng Shaofeng, Wang Zhiwen, Zhu Yawen, etc. The film takes the Republic of China era as the main background, and uses the maverick life and love experience of the legendary female writer Xiao Hong of the Republic of China as an introduction to create a group of passionate and passionate youths, and restore an era full of freedom and ideals.
万博手机登陆网万博手机登陆网址址 It is a very poetic movie, which is completely different from other movies. It has a very poetic structure. In the middle of the movie, some pictures are very poetic, and the character of Xiao Hong is also very poetic.
In the 1990s, the New Wave of Hong Kong Film Movement gave birth to a group of new directors such as Xu Anhua, Wong Kar Wai, Tsui Hark, and Wu Yusen. They walked from behind the scenes to the front of the scene, based on their enthusiasm for movies and the unique creativity and social touch of young people. , Has produced many personal film works, opening a new page for Hong Kong movies.
"Forty Women" is a representative of outstanding films of this period, and is known as Xu Anhua's best literary film since filming. In the 15th Hong Kong Film Awards, it won six awards including Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress. A classic that cannot be surpassed by the like awards.
Since then, Xu Anhua has been called the most representative figure in the sticky Hong Kong movie.